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Previous Seasons
- Hussein Chalayan - Catwalk - Paris
- Hussein Chalayan - Backstage - Paris
- Sophia Kokosalaki - Paris
- Antonio Berardi - Paris
- Roksanda Ilincic - London
- Jens Laugesen - London
- Giles Deacon - London
- Richard Nicoll - London
- Jonathan Saunders - London
- Christopher Kane - London
- Marios Schwab - London
- Sinha-Stanic - London
- Gareth Pugh - London
- Verrier - New York
- Maria Cornejo - New York
- Lyn Devon - New York
- Rachel Roy - New York
- Ruffian - New York
- Rodarte - New York
- Philip Lim - New York
- Ohne Titel - New York
- Jeremy Laing - New York
- Erin Fetherston - New York
- Doo-Ri - New York
- Abaete - New York
- Giles
- Julien MacDonald
- Marios Schwab
- Giambattista Valli - Catwalk
- Giambattista Valli - Backstage
- Alexander McQueen - Catwalk
- Alexander McQueen - Backstage
- Vivienne Westwood
- Sophia Kokosalaki - Catwalk
- Sophia Kokosalaki - Backstage
- Hussein Chalayan - Catwalk
- Hussein Chalayan - Backstage
- Richard Nicoll
- Jens Laugesen
- Roksanda Ilincic
- Sinha-Stanic
- Jonathan Saunders
- Erdem
- Christopher Kane
- Rodarte
- Doo.Ri
- Proenza Schouler
- Philip Lim
- Kris van Assche
- J.Lindeberg
- Viktor & Rolf
- Ashleigh Verrier
- Esteban Cortazar
- Doo Ri
- Heatherette
- Richard Chai
- Rodarte
- Sari Gueron
- Sue Stemp
- Alexander McQueen
- Hussein Chalayan
- Giambattista Valli
- Sophia Kokosolaki
- Aquascutum
- Basso and Brooke
- Christopher Kane
- Emma Cook
- Erdem
- Giles
- Hamish Morrow
- Jonathan Saunders
- Julien MacDonald
- Marios Schwab
- Sinha-Stanic
- Pilar Ruiz
- Giambattista Valli
- Antonio Beradi
- Alexander McQueen
- Christopher Kane
- Sinha-Stanic
- Julien MacDonald
- Jonathan Saunders
- Giles
- Basso and Brooke
- Richard Chai
- Heatherette
- Thakoon
Swarovski
Corporate Communications Unit London
2nd Floor,
14 - 15 Conduit Street,
London W1S 2XJ
Tel: +44 (0) 20 7016 6780
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SOPHIA KOKOSALAKI
Autumn/Winter 06
The use of Swarovski crystals in this collection is intended to evoke lightness, preciousness and luxury, as well as being visually arresting. I always use them in this context, but also try to give them an antiquated and tarnished feeling which is more subtle and in tune with the aesthetic of the collection.
Sophia Kokosalaki
